Pedrilla Museum

Cáceres, Spain

The Pedrilla Museum and Guayasamin House keep a set of very relevant historical sculptures and works linked to the life of the Buddha in different important moments of his existence. Among the paintings, we find the work Zeosis by the Valencian painter of peace, Antonio Camaró and the oil paintings by the contemporary artist from Yangon, Mr Zhoe.

The First Steps of the Buddha

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As soon as the Bodhisatta was born, he firmly put his feet on the ground; then he walked seven steps north and, with a white sunshade held over him, examined each of the cardinal points. He spoke the words of the Leader of the Flock: “I am the Supreme in the world, I am the best in the world, I am the first in the world; This is my last birth, there will be no more renewal of being in future lives”.

(Bodhisatta: Future Buddha, someone destined to achieve unsurpassed and perfect enlightenment; more specifically, it is the term that the Buddha uses to refer to himself in the period before his enlightenment, both in his past lives and in his last life before he achieved enlightenment).

 

From MN. 123; cf. DN. 14

Talks with his Disciples

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“This is, monks, the noble truth that is the path that leads to the end of suffering: the Noble Eightfold Path, that is: right vision, right thought, right speech, right action, right means of life, right effort, right attention , straight concentration. »

«‘This is the noble truth that is the end of suffering’: in this way, monks, the vision of things never heard before arose in me, understanding arose, wisdom arose, knowledge arose, clarity arose.»

Thus spoke the Blessed One and the group of five monks rejoiced and rejoiced at his words.

 

From SN 56:11: Dhammacakkappavattana Sutta.

The Curls of the Buddha

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“These curls of mine do not suit a monk. And I don’t see anyone worthy of cutting a Bodhisatta’s curls. So I will cut them myself, with my sword. » Taking his sword in her right hand and holding the knot of hair where the diadem was placed with her left hand, he cut it off. The strands of hair left on his head were two inches long, curling to the right side. They remained that long as long as he lived, and his beard as well. It was not necessary for him to shave or cut his hair anymore. The Bodhisatta took the knot of hair with the diadem and tossed it into the air, saying, “If I am to become a Buddha, let me remain in heaven; if not, let it fall back to earth. » The knot, braided with gems, reached a height of a yojana and remained suspended in the air. Sakka, the king of deities, saw this with his divine eye, and received it, placing it in a jewelry case the size of a yojana, and founded the Culamani (Hair Knot Gem) Shrine in the Tavatimsa sky. »

 

From Jātaka-nidāna (The story of the Buddha Gautama/ Buddhist Birth Stories).

Buddha and the Gods

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“The remaining deities of the ten thousand world systems honored him with garlands, perfumes, and ointments, singing praises in different ways. In this way, while the sun was still shining in the heavens, the Great Being dispelled the army of Māra. While he was honored with offerings in the form of tender leaves from the Bodhi tree that fell on his robe like spikes of red coral, he acceded during the first watch of the night to the knowledge of previous existences. During the second watch he purified his divine eye; and in the last watch he became aware of the reality of dependency origination. As he continued his meditation on the nature of causal antecedents, which are twelve, and their direct and inverse relationship to progressive and regressive evolution, the ten thousand world systems trembled twelve times, to the very edge of the oceans. When the Great Being obtained, at dawn, the penetrating vision on the knowledge of omniscience, the ten thousand world systems resounded, and all assumed festive garb. «

 

From Jātaka-nidāna (The story of the Buddha Gautama/ Buddhist Birth Stories).

Zeósis

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The work is a plea for the union between East and West, it is a hieroglyph of peace and harmony between all worldviews and cultures. It is full of symbolism that transcends all separations, borders and limits, jumping the fences of barbarism and horror generated by intransigence and violence.
Through it, the essence and commonality of all human beings is sought.
This work extols the person in all his dimensions, and wants to record a holistic and eternal spring of the gift of life; and it does so by evoking the deep and thoughtful evolved being, whose purpose is to unite with the neighbor, to attract heaven to earth and thus transform deserts into orchards and rich oases.
Through this work they want to create dialogues and beautiful encounters, which is the way to eliminate fundamentalisms, totalitarianisms and dogmatisms, enriching ourselves with the greatness of the different and the plural that exists in the human race.
This work is the desire of the perfect being, to see himself in the other, to understand that the other is me, so that together we can create a better world, where harmony, love and respect reign among all of us: «Humanity»

 

By Antonio Camaró.

The Reclining Buddha Statue in Bronze

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The reclining Buddha statue is an image representing the Buddha at the very end of his life and is an important iconographic theme in Buddhist art. It represents the historical Buddha during his last illness, about to enter the parinibbāna or final extinction.

“Then the Blessed One came out of the meditative state in which perception and sensation cease and he entered the meditative state in which there is neither perception nor non-perception. He came out of the meditative state in which there is neither perception nor non-perception and entered the meditative state of the sphere of nothingness. He came out of the meditative state of the sphere of nothingness and entered the meditative state of infinite consciousness. He came out of the meditative state of infinite consciousness and entered the meditative state of infinite space. He came out of the meditative state of infinite space and entered the fourth jhāna. He came out of the fourth jhāna and entered the third jhāna. He came out of the third jhāna and entered the second jhāna. He came out of the second jhāna and entered the first jhāna.

He came out of the first jhāna and entered the second jhāna. He came out of the second jhāna and entered the third jhāna. He came out of the third jhāna and entered the fourth jhāna. Then the Blessed One came out of the fourth jhāna and was completely extinguished ”.

(Jhāna: State of deep meditative concentration characterised by the unification of the mind on its object; the suttas distinguish four stages of jhāna, from low to high concentration).

 

From Mahāparinibbāna Sutta (Great Extinction Sutta).

Maha Karuna Buddha Statue in White Jade

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Jade gem characteristics.

Source:
Burma’s White Jade is produced from a special mineral in the ancient city in the center of Myanamar, Wacheng Mountain. It was formed more than 200 million years ago, it has a white, crystalline and wet color.

Color:
It is the most valued characteristic, although green is traditionally the best known, the color of jadeite ranges from green, red, orange, yellow, mauve, grey, white … all of them attractive, but the most valuable is a certain shade of green jade, the so-called, imperial jade. Pure white jade is also highly valued, we can include it in the scales of commercial jade, an intermediate classification, but it is not «Snow Jade» since it does not present veins or green points, typical of this type of jade and does not it come from China, origin of «Snow Jade».

Transparency:
The transparency in jadeite ranges from semi-transparent to opaque. Using a bright point of light, it penetrates the stone forming a bright halo. The larger the halo formed, the more transparent the stone will be. This added feature is known as «Translucency».

Size:
Another feature that also influences the price, size and polish that allows you to feel the smooth texture of the stone: The carving of this statue has been made in Myanmar.

The size and weight:
Normally expressed in mm. In this case in cm and kg. In summary, three would be the main characteristics to value jade; the well known 3C’s: Color, Clarity (purity) and Cut (size) to which we add two more factors: the 2T’s: Translucency and texture.

Physical Characteristics.

Measurements:
190 cm x 100 cm x 60 cm approx.
Weight: 1600 Kg estimated.
Origin: Myanmar.
Color: White.